Img:runing in Paris

©Moemi Abe

Erase and See by Sumi Kanazawa

The Daiwa Foundation is delighted to present Erase and See, an exhibition of work by Japanese artist Sumi Kanazawa. Through an understanding of the contradictions and discrepancies that characterise our past and present, Kanazawa suggests ways of being more imaginative about how to live now, to problematise distinctions conventionally drawn between individuals, politics and society, between public and private identities. This is exemplified by her Drawings on Newspapers, showcased here. Like a star-spangled night sky, this large-scale installation radiates the kind of information that floods the world, counteracted through artistic intervention.

Kanazawa uses a black 10B pencil to obliterate printed words and images in newspapers, except for those that appeal to her, either for a reason or intuitively. The remaining content is thus excised from its context to weave new stories. For Kanazawa, the erasure of context is a liberating experience, pointing up the discrepancy between an individual’s sense of time and that regulated by society. In this way, her work constitutes an idiosyncratic overview of a social context from the delimited space within which an individual exists. Significantly, Kanazawa creates her work at night, during 10pm-3am, when most people are fast asleep. Her time-consuming artistic process goes against the grain of modern mass- and social-media, encouraging us to slow down and break free.

This exhibition has been made possible by the generous support of the Delfina Foundation and the Contemporary Art Foundation Japan.

 

About the contributors

Sumi Kanazawa

Sumi Kanazawa was born in 1979 in Kobe City, Hyogo Prefecture, and now lives in Tokyo. She completed graduate school at Kyoto Seika University in 2005, studying under Saburō Muraoka. Major solo exhibitions include Keshite, miru [Erase and See] (Youkubo Art Space, 2018), and group exhibitions include Artist in FAS 2018 (Fujisawa City Art Space, 2018) and Beyond the Sun (Incheon Art Platform, South Korea). In 2021 she won the Grand Prix in the Contemporary Art Foundation’s CAFAA Awards. In 2022, she participated in the group exhibition Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic at Mori Art Museum, Tokyo, Japan, which featured her large-scale installation Drawings on Newspapers. Sumi Kanazawa started to work in earnest on the Drawings on Newspapers series in 2017 when it became difficult for her to travel to create works on site after she became a mother.  The sense of society that underlies Kanazawa’s works is inseparable from questions about her family environment and her identity as a third-generation Korean living in Japan. From this starting point she takes a panoramic overview of the world, creating works based on the disjunctions between individuals and collective issues.

 

Admission free

 

Private View and Artist Talk: Sumi Kanazawa in conversation with Jonathan Watkins
Thursday 14 September 6pm-7pm