Inoue Yūichi, Zhuang Zhou Dreaming of a Butterfly (oracle bone script), 1951. Collage; ink on paper; 31.0×35.0 cm, fragment
As the French theoretician of abstract art Michel Seuphor wrote in 1962, “in the 1960s, every abstract painter is fascinated by the East, dreams of visiting Japan, perhaps to find the delights of Japanese calligraphy.” This talk is dedicated to the artists who launched and fuelled this fascination.
In the early postwar years, avant-garde calligraphers from Japan radically transformed their art with the aim of bringing calligraphy to the same level of recognition as abstract painting. In order to reach this goal, they launched creative collaborations with European Art Informel artists and American Abstract Expressionists, and soon started sharing exhibition spaces with them at the Museum of Modern Art in New York, Documenta in Kassel, São Paulo Biennale, and Carnegie International.
This talk will introduce the connection between Japanese avant-garde calligraphers and abstract painters from Europe and the United States as one of the most fascinating examples of the early postwar global art exchanges, drawing attention to calligraphy as a phenomenon of the global postwar avant-garde.
About the Third Thursday Lecture Series
The Third Thursday Lectures hosted by the Sainsbury Institute for the Study of Japanese Arts and Cultures are on a range of topics related to the art and culture of Japan. Talks begin at 6pm (50-minute lecture followed by refreshments). Speakers are all specialists in their field and the talks are intended to be accessible to those with no prior knowledge of Japanese history.
Admission is free and all are welcome. Booking essential. To book your seat, please go to the booking form or email the Sainsbury Institute
The lecture will be held at the Weston Room, Cathedral Hostry, Norwich NR1 4DH.